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Click the eyeball icon. Notice that everything on the stage disappears, and the dots under the eyeball in each layer change to a red x. This eyeball is the Layer Visibility icon, and clicking it turns off the visibility of all the content in the layers. Click the icon again, and everything reappears. This time, select the Butterfly02 layer, and click the dot under the eyeball. Just the butterfly in the center of the stage disappears. What this tells you is that you can turn off the visibility for a specific layer by clicking the dot in the visibility column. When you click a layer, you may notice that a pencil icon appears on the layer strip. This tells you that you can add content to the layer. Click the Butterfly02 layer, and you ll see the pencil icon. Now, click the dot under the lock in the Butterfly02 layer. The lock icon will replace the dot. When you lock a layer, you can t draw on it or add content to it. You can see this because the pencil has a stroke through it. If you try to drag the Butterfly movie clip from the Library to the Butterfly02 layer, you will also see that the layer has been locked because the mouse pointer changes from a tan arrow to a circle with a line through it. Also, if you try to click the butterfly on the stage, you won t be able to select it. This is handy to know in situations where precision is paramount and you don t want to accidentally move something or, god forbid, delete something from the stage.

OK, we sort of stretched the truth there by telling you that content can t be added to a locked layer. ActionScript is the only thing that can be added to a locked layer. This explains why many Flash designers and developers create an ActionScript-only layer usually named scripts or actions and then lock the layer. This prevents anything other than code from being placed in the layer.

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From the class SwissTaxes just presented, let s consider the properties Incomes and Deductions. In the example class, the properties weren t properly implemented, but this wouldn t be the case in an actual working example. Implementing SwissTaxes means implementing the properties using some type of assignment and retrieval. When coding AmericanTaxes, the same properties have to be implemented, and the exact same source code, or at least very similar, will be used to code American taxes. The problem with an interface is that there is no implementation. When an interface is implemented multiple times, it could occur that multiple implementations are similar if not identical. The solution to the redundancy problem is to include a default base class that implements a base logic. The default base class would then be subclassed by the different controller implementations. An example default base class is as follows: public abstract class BaseTaxation : ITaxation { private IIncomes[] _incomes; private IDeductions[] _deductions;

The final icon is the Show All Layers As Outlines icon. Click it, and the content on the stage turns into outlines. This is somewhat akin to the wireframe display mode available in many 3D modeling applications. In Flash, it can be useful in cases where dozens of objects overlap and you simply want a quick X-ray view of how your content is arranged. With animation, in particular, it can be helpful to evaluate the motion of objects without having to consider the distraction of color and shading. Like visibility and locking, the outlines icon is also available on a per-layer basis.

Building Secure Web Services (Patterns & Practices 12) J.D. Meier, Alex Mackman, Michael Dunner, Srinath Vasireddy, Ray Escamilla, and Anandha Murukan Patterns & Practices whitepaper (June 2003) Located at MSDN Home MSDN Library .NET Development .NET Security Improving Web Application Security

You can change the color used for the outline in a layer by double-clicking the color chip in the layer strip. This will open the Layer Properties dialog box. Double-click the color chip in dialog box to open the Color Picker; then click a color, and that color will be used.

and, with all five movie clips selected, align them to the center of the stage. Now you have five copies of the same movie clip stacked on top of each other in the same layer. Why It s because we re about to make like Henry Ford and run an assembly line. This approach will make things come together more quickly, and the precision of doing the next few steps by the numbers will help considerably.

{ public string Symbol; public string Company; public string DateTime; // Additional properties are not shown (e.g, Open, Last, etc.) } }

value to 90. Now scrub the Y rotation value until it hits 90. This stands up the top movie clip and faces it west. In the Properties panel s 3D Position and View area, scrub the X value down to 75 (that s 200 pixels to the left, or half the movie clip s width). You re going to repeat this process with different values for the next three movie clips.

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